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A chronological history of Dark Bunny
Productions
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Cuniculus
©1988 - Made at University of the Arts
This was my first real animated film (one longer than 15 seconds, that is)
and the plot revolved around three nasty mutant rabbits who enjoy
terrorizing local citizens. They end up attracting the attention of two
superheroes, BatGuy and BatChick, who proceed to
kick the rabbits' asses. At this point a fourth rabbit appears, a giant
demonic one, and chases down the Bat-duo.
With no other options, BatGuy
and BatChick combine to form... SuperBatPerson, then
clobber the demon rabbit and win the day. This brilliant piece of
narrative ends with an old lady beating up BatGuy.
My life
drawing teacher at Cal Arts (the great Corny Cole) used to say that you must draw
as often as possible to get the bad artwork out of your system. I like to
think making "Cuniculus" got a bad film out of mine.
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The
Bunny Must Die
©1989 - Made at University of the Arts
It's the last straw. The Trix
Rabbit once again has the cereal in his eager paws but is unable to contain himself,
freaking with joy and revealing his identity to the kids. He goes home empty-handed.
That night the Rabbit dreams he dies a
loser. He wakes up, gathers a duffle bag full of weapons, and leaves his house for the
last time.
In a frenzy of violence, the Rabbit
steals the cereal and flees. The Trix Task Force (three big, mean rabbits) is dispatched
to neutralize him, and despite the aid of his friend Max (a Clint-Eastwood-type bunny),
the Rabbit dies in a hail of bullets. His last words, having just eaten the forbidden
cereal: "I can't believe it. It tastes like shit."
This film was the definitive turning
point in my animation career. At a time when I wasn't sure if I was cut out for this
industry, it was a real shot in the arm. The response at the film show was amazing, and a
few people told me later that this film inspired them to pursue animation.
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Spike
Noodles:
"The Return of the Scorpion"
©1990
- Made at University of the Arts
Spike is
relaxing in his apartment when he sees it on the news -- the Scorpion has escaped again.
Donning his spiked mask and iron knuckles, Spike sets out in search of his old nemesis. He
finds her in a park and the battle begins. The fight is cut short when they discover that
they're actually childhood friends (complete with syrupy flashback), and as they hug, a
lone assassin steps from the shadows -- the deadly Big Jim Bunnyface. To be continued...
This film, barely
three minutes long, was the result of some major slacking. I cranked it out in about three
weeks and it shows. The one good thing to come out of it was a new character, Spike
Noodles, who I still plan to use in upcoming projects.
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Spike Noodles:
"Unspoken Words"
©1991 - Made at University of the Arts
Spike and Camille meet up for a
rooftop picnic, unaware that the Oceanic Terrorist Squad (lead by the evil Dr. Squid) is
on the loose. After a leisurely game of frisbee and a few brews, Spike and
Camille kick back and relax; only to be interrupted by Dr. Squid himself.
Camille is captured and Spike goes after her. A big shootout in the
Terrorist's lair leaves everyone dead or wounded. Who survived? To be
continued...
I focused a bit more on this episode
and fleshed out Spike's arch nemesis, Dr. Squid, as well as his pal Camille. This was the
last film I made at University of the Arts and remains one of my favorites.
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The
Carrot
"Someone New To Hate"
©1993 - Made at CalArts
A lone madman in a carrot suit
weaves his way cross country, seeking out and killing everyone who ever crossed him.
Unbeknownst to him, he himself has been targeted for eradication. As the Carrot stops at a
gas station for a Pepsi break, a mysterious female assassin teleports in and attacks him.
In the course of the battle she notices the Carrot bears a special tattoo... the same one
she herself has. After a bizarre flashback (they trained in the same dojo
together)
she retreats, leaving the Carrot alone and confused. As he drives off, a menacing figure
watches him from a nearby mesa... a figure known as the notorious Onion.
This was the first film I made at
CalArts (California Institute of the Arts) and it was the result of an inside joke between
my friends and I. As quirky and surreal as this film turned out, I still plan to do more
with this insane man-vegetable.
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X-ile
©1994 - Made at CalArts
Frank comes home after a hard day's
work to find his freeloading tenants, a bunch of big cockroaches, eating everything in
sight. Desperate, Frank buys a can of X-ile bug spray and scares them off. "X-ILE
them... forever!"
Thin plot, eh? That's because this film
was a commercial for a fictitious bug spray, based on an assignment I did in story class.
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Wisconsin
©1994 - Made at CalArts
It was a quiet evening on a farm in
Wisconsin. The ornery farm dog is awakened by a noise in the pantry and goes to
investigate, only to discover a purple, tentacled monstrosity stealing a box of candy
bars. The dog chases the startled alien through the farm and corners it, forcing it to
surrender the candy bars and to beam back to the mother ship. Just what the hell are those
aliens up to, anyway?
This is easily my best work and is the
reason I managed to get a job in animation. It won the 1994 Walter Lantz award at the
Producer's Show and will someday be put on cels and colored (time willing... King of the
Hill keeps me pretty busy).
The Alien, Chode, went on to
star in "Tripping The Rift", a 5 minute computer animated short that is
presently being made into a series.
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The
Brainyzoids
©1994 - Made at CalArts
I'm including this piece as a footnote because it's
not really a Dark Bunny project. The Brainyzoids are the creation of my good pals Jeff
Ranjo, Nathan Strum, and Dave Steele, and the film was made as an introduction to the 1994
CalArts Producers Show. Jeff did the brilliant designs, Dave wrote the script and did the
voices (except for Janet Reno -- I did that one), I animated them, and Nathan did all the
computer work. At the show, The Brainyzoids were a big hit.
Special thanks to Nathan Strum for
providing me with this picture.
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Tripping
The Rift
©1998 - Made at Film Roman

Back in 1997, while working
on King of the Hill, I met a chap named Chuck Austen and, after
discussing the various projects we wanted to do, decided to merge together
our "sci-fi comedy" ideas - and Tripping The Rift was
born. Right about then Film Roman was
looking for ideas for computer-animated shorts, so we
pitched it and got the green light. They
hooked us up with Matthew Mead and Jay
Hathaway - two talented 3D animation lads - and we were off.
The concept was basically this: a fat purple
alien fugitive, a runaway sex droid, and a surly robotic engineer try to eke out a living in the
universe by running their own smuggling service.

Easier said than done, since their
sordid
pasts keep coming back to haunt them, chief among them being Chode's
falling
out
with the dreaded Dark Clowns.
We finished
the short in Spring of '98 and
I grabbed the domain
name trippingtherift.com, since I had a hunch
this whole internet thing would be a good way to get the word out about
our little creation. Hey, it worked for South Park.
The response was incredible. I'll never
forget the huge volume of emails we got praising the short, and we kept
our fingers crossed that the short would be
the basis for a series some day.
Well, that day took 4 years, but it
finally happened. In early 2002, Sci Fi Channel picked it up for a series,
but it was a bittersweet victory. Chuck and I were deemed expendable and
the production went ahead without us. But despite this, we're happy that
our little idea was liked by so many people, and we look back on that
amazing day when we first saw the short, complete with finished soundtrack,
with great fondness. |
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